Keynotes
This collection of keynotes from the ISP workshops represents relevant research into facets of the material, processes and knowledge pertinent to digital craftsmanship in the build environment. Expert speakers joined the BuildDigiCraft ISP Participants online, due to COVID-19 restrictions, to outline their work into various aspects facing researches in this realm. From ‘bio-based material paradigms’ to ‘the morality of digits’, ‘DNA-based nano architecture’ to ‘fibre-reenforced polymer composites’, these are the lectures that inspired us.
ISP4
Day 1: “History of architectural revolution of the first half of the 20th century - waste of time or useful knowledge?”
Prof. Jadwiga Urbanik, Wroclaw University of Science and Technology
Jadwiga Urbanik lectures on urban planning from ancient time till 20th century and on the area of research. She is taking part in historical urban researches of Wrocław and studies on Wrocław housing estates from the period 1872-1939. Her publications include many papers and reports concerning history of architecture and town-planning of 20th century. She has participated in many international conferences and in design projects concerning conservations of Modern Movement building. Her main fields of interest are: history of architecture and town-planning, specially of 20th century, revaluation of architectural heritage of Modern Movement.
Day 2: “The Integration of Art and Technology”
Robert Sochacki, Wroclaw Art Academy
The lecture will focus on how artists incorporate the latest technology into their artistic strategies and at the same time engage in the discourse of the contemporary world. It is about how their art tries to be a significant voice in the discussion on the future and the creation of new models of relations, not only the internal human ones, but also the non-human ones. The tools used by contemporary artists are so diverse that their spectrum covers analogue, digital, but also everyday, ordinary activities, or those that define our common relations as collective consciousness. Performative lecture, with elements of AI system collaboration, collage of external materials and live discussion.
Day 3: “The New Society and the New Man in Its Environment”
Leif Høgfeldt Hansen, Aarhus School of Architecture
The lecture will focus on Bauhaus and the prevailing culture surrounding its impact from a social and cultural perspective. Presented by Lief Høgfeldt Hansen from his research.
Day 4: “Teacher – the Architect of Learning Process”
Olga Ludyga,
Gdansk University of Technology
Olga Ludyga is an academic teacher, pedagogist, Cambridge ESOL examiner and learning designer, who is working also as an intercultural teaching methodology specialist. Currently her research focuses on innovative teachers in narrative interviews.
How do we learn? Who do we learn from? When do we know that we have learnt something? Is it necessary to know things when nowadays we carry all the knowledge in our pockets, thanks to smartphones and the Internet? These questions are in the mind of many people living in digital era. We are going to look at education in the past and now, taking under consideration what we actually need to learn.
Day 4: “New Degree in Design, University of Navarra”
Fernando Pedrero,
Gdansk University of Technology
"New Degree in Design” Universidad de Navarra, is an experience that fits perfectly within the framework pursued by the "New European Bauhaus wave" at Interdisciplinary education models, it is a teaching methodology that integrates the theoretical, digital, practical, technical, and creative contents, which acquire their whole meaning applied to a project. The students, through the practical and creative exercise of the project, can connect and understand the whole constellation of subjects, ideas and teachings offered to them.
Fernando Alonso Pedrero (Zamora 1992) PhD Architect (2020) based in Pamplona (Navarra). Graduated from the University of Navarra, Spain, where he is currently researching and teaching in the research line "critical analysis of digital culture in architecture" In his career as an architect, his work is physical and virtual: Architectural Projects, Installations, Sculptural Models, Sheets and Articles; focused on the dissemination and critical reflection of formal digital concepts. He did his international doctoral thesis in Philosophy of Applied Creativity in Architecture.
ISP3
Day 1: “Digital: Disturbing Delight”
Jüri Soolep, Estonian Academy of Arts
Jüri Soolep is the Head of Doctoral School in the Faculty of Architecture, Estonian Academy of Arts. He has been Professor in NC State European Center in Prague, Czech Republic and Guest-Professor in Umeå School of Architecture, Sweden. He has been the Rector of the Nordic Academy of Architecture as well as dean and professor of the Faculty of Architecture in the Estonian Academy of Arts. He has lectured in the universities of Tartu, Oulu, Porto, Cork, Portsmouth, Liverpool, and Hosei Tokyo. Jüri Soolep is in the editorial board of journals Ehituskunst and ArchiDoct and has been a member of steering boards for Strong Research Environments ResArc and Making within Swedish Research Council Formas grant. Since 2001 he has been partner and lead architect in the architectural studio AB Medium. Most of his designs are built in Pärnu and Tallinn. The recent book: Architecture, Imagospheric Horizon and Digital Universe. Archimedium 2018 (https://soolep.ee ). His current field of research include studies in the representational systems of architectural phenomena in the Digital Age.
Day 3: “Prefabricated Craftsmanship”
Lauri Tuulberg, CEO of Welement
The construction industry is facing huge problems. Productivity is low, there is a lack of skilled labor and it is a major contributor to the facing climate disaster. To meet the growing demand and lower the cost, we need to build more, with less time. But can digital tools and automation solve the problem or do we need to rethink how we approach the whole value chain? Does it make sense to bring robots to the construction site, and will automation drive out skilled craftsmen? Studied Industrial Engineering and Logistics Management at Hong Kong University and Civil Engineering at TalTech. Has worked as a site engineer and project manager on projects ranging from large-scale apartment buildings to tunnels and private villas. Been part of real estate development projects from preliminary architectural design to client hand-over and ownership stages. For the past 5 years mostly been involved with managing Welement AS.
Day 4: “On Situated Knowing, Digitalisation and Two Burning Buildings”
Henric Benesch, University of Gothenburg
Henric Benesch is an architect, educator and researcher with a PhD in Design, based in Gothenburg, Sweden. Ongoing inquiries includes Curating the City (with Ingrid Martins Holmberg, Clare Melhuish and Dean Sully), addressing environmental and cultural heritage dilemmas posed through and over time in built environment through site-based methodologies; The Right to design (with Onkar Kular), rethinking design education and design learning within and beyond its institutional and professional setting, in relation to “rights” and as a form of readership, as a mean to foster and claim more sustainable ways of life. Currently, he is a Senior Lecturer at HDK-Valand – Academy of Art and Design at the University of Gothenburg as well as co-coordinator within the Centre for Critical Heritage Studies (CCHS), and since September 2019 – Deputy Dean at the Faculty of Fine, Applied and Performing Arts at the University of Gothenburg.
Day 4: “Building from History: For a Low-carbon Future”
John Ochsendorf, MIT Architecture
John Ochsendorf is the Class of 1942 Professor of Architecture and Civil and Environmental Engineering at MIT, where he directs research on preindustrial construction traditions. He is the designer of numerous award-winning structures internationally and is the author of Guastavino Vaulting: The Art of Structural Tile (Princeton Architectural Press, 2010). Ochsendorf is a partner in the firm ODB Engineering and he served as Director of the American Academy in Rome from 2017-2020.